Charles Arnoldi
Karel Apple
David Banks
Herbert Bayer
Hans Bellmer
Billy Al Bengston
Elizabeth Bergreen
Eugene Berman
Oscar Bluemner
Dorothy Brett
Nicholas Brigante
Annie W. Brigmann
Armando Britto
Nanette Calder
Camera Works
Marc Chagall
Robert Cremean
Jose Luis Cuevas
Jim Dine
Gordon Onslow Ford
Sam Francis
Charles Gesmar
Joe Goode
Sidney Gordin
Balcomb Greene
Gertrude Greene
Pier Guzzi
Roy Gussow
F. Benedict Herzog
Hilaire Hiler
David Octavius Hill
Carl Holty
Winslow Homer
John Hunter
Mike Kanemitsu
Gertrude Kasebier
Oskar Kokoschka
Lee Krasner
Robert Longo
Helen Lundeberg
Richard Lytle
John Mancini
Andre Masson
Henry Moore
Lee Mullican
Matt Mullican
Claes Oldenburg
Wolfgang Paalen
Pablo Palazuelo
Mexican Retablos
Jose de Rivera
James Rosenquist
Morgan Russell
Niki de Saint Phalle
Kurt Seligmann
Eduard Steichen
Theophile Alexandre Steinlen
Frank Stella
Alfred Stieglitz
Jack Stuppin
Mark Tobey
George C. Tooker, Jr.
Abraham Walkowitz
Tom Wesselmann
Clarence H. White


For availability of
artwork contact us.

Nanette Lederer Calder
American, 1866-1960


Works Available

 

Nanette Calder, a talented artist in her own right, was the mother of one of America's greatest artist, Alexander Calder. This painting is a portrait of Nanette’s daughter, Margaret Calder Hayes, sister to Alexander Calder.

Artistic talent was encouraged and fostered within the Calder family through Nanette’s husband, Alexander Sterling Calder and father in law, Alexander Milne Calder.

Margaret Calder Hayes was born in Paris, France in 1896 and died in Berkeley, California in 1988. She married Kenneth Hayes, raised two sons, Calder and Kenneth, and was active in many community endeavors throughout California. She was instrumental in the development of the UC Berkeley Art Museum and conducted art classes for children in her home for some 18 years.

-from Three Alexander Calders: A Family Memoir, written by Margaret Calder Hayes

Nanette studied at the Academie Julien and the Sorbonne from around 1888- 1893. When she returned to Philadelphia and studied, or painted for fun, at the Penna Academy of the Fine Arts where she met father, A. Stirling Calder, an assistant instructor and married him on February 22, 1895. She painted all her life until her eyes “played tricks” and was essentially a portrait painter. She took orders and sold a few paintings, but subordinated her work to care for and help father. She was considered “gifted” by art friends who knew her work.

After her children (Sandy[Alexander] and I) were out from under and she could, she took drawing lessons at the League in New York where they lived and when discussing Sandy’s painting (he uses the primary colors straight from the jars) said “ I could teach him a thing or two about paint, but of course, he is not interested” about which she said “I am trying to express solidity by a single line as Sandy does. But I am essentially a painter.” Which means she models with paint.

-from a documentation letter about the painting, Portrait of Margaret Calder Hayes, written by Margaret Calder Hayes