Charles Arnoldi
Karel Apple
David Banks
Herbert Bayer
Hans Bellmer
Billy Al Bengston
Elizabeth Bergreen
Eugene Berman
Oscar Bluemner
Dorothy Brett
Nicholas Brigante
Annie W. Brigmann
Armando Britto
Nanette Calder
Camera Works
Marc Chagall
Robert Cremean
Jose Luis Cuevas
Jim Dine
Gordon Onslow Ford
Sam Francis
Charles Gesmar
Joe Goode
Sidney Gordin
Balcomb Greene
Gertrude Greene
Pier Guzzi
Roy Gussow
F. Benedict Herzog
Hilaire Hiler
David Octavius Hill
Carl Holty
Winslow Homer
John Hunter
Mike Kanemitsu
Gertrude Kasebier
Oskar Kokoschka
Lee Krasner
Robert Longo
Helen Lundeberg
Richard Lytle
John Mancini
Andre Masson
Henry Moore
Lee Mullican
Matt Mullican
Claes Oldenburg
Wolfgang Paalen
Pablo Palazuelo
Mexican Retablos
Jose de Rivera
James Rosenquist
Morgan Russell
Niki de Saint Phalle
Kurt Seligmann
Eduard Steichen
Theophile Alexandre Steinlen
Frank Stella
Alfred Stieglitz
Jack Stuppin
Mark Tobey
George C. Tooker, Jr.
Abraham Walkowitz
Tom Wesselmann
Clarence H. White

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Josť Luis Cuevas
Mexican, b. 1934

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Mexican draughtsman, printmaker and painter. He showed early artistic talent and briefly attended the Escuela Nacional de Pintura y Escultura ‘La Esmeralda’ in Mexico City, which he left because he did not agree with its teaching methods; he was thus essentially self-taught.

He studied graphic arts at the Institución de Enseñanza Universitaria in Mexico City c. 1948. At the Galería Prisse in Mexico City he joined a group of young artists, including Alberto Gironella, Enrique Echeverriá, Pedro Coronel, Manuel Felguérez and Francisco Icaza (b 1930), who were opposed to the socialist artists favored by the Government and whose rebellion against the official mural art was instrumental in modifying the contemporary artistic panorama. Cuevas conducted an aggressive polemic against David Alfaro Siqueiros and his more dogmatic followers, publishing the manifesto ‘La cortina de nopal’ (Novedades, 1957).

In 1953 he had his first exhibition at the Galería Prisse; its success led to its being shown the following year at the Pan American Union, Washington, DC, and later to Cuevas’s receiving worldwide exposure and recognition as a draughtsman and graphic artist. He was subsequently invited to work in various workshops worldwide, including the Tamarind Workshop in Los Angeles, CA, and Poligrafa in Barcelona in 1981, while in Mexico he worked at the Taller Kyron, among others.

1934 Born in Mexico City, Mexico.
1944 Began art studies.
1948 Studied engraving.
1955 Jean Cassou and Philippe Soupault published the first monograph onCuevas.
1973 Worked with Jose Gomez-Sicre on his biography.
1977 Worked as a Resident Artist at the University of Seattle, WA
1978 Received a special tribute from the O.A.S.
1982 Was invited by the Committee of the 40 Bienale of Venice to exhibit at the main Pavilion.